J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.   Related Paintings of Jean Auguste Dominique Ingres :. | The Martyrdom of St.Symphorian (mk04) | The Golden GAge (mk04) | Roger Delivering Angelica. | The Turkish Bath | Charles X Bestwing Honors on the Artists of the Salon of 1824,1827 (mk04) |
Related Artists:
Jean Restout
French Neoclassical Painter, 1692-1768,was a French Neoclassical painter. Jean Restout was born in Rouen, the son of Jean Restout, the first of that name, and of Marie M. Jouvenet, sister and pupil of the then well-known Jean Jouvenet. In 1717, the Royal Academy having elected him a member on his work for the Grand Prix, he remained in Paris, instead of proceeding to Italy, exhibited at all the salons, and filled successively every post of academical distinction. His works, chiefly altar-pieces (Louvre Museum), ceilings and designs for Gobelin tapestries, were engraved by Cochin, Drevet and others; his diploma picture may still be seen at St Cloud. His son, Jean Bernard Restout (1732 - 1797),
Pietro vannucci called IL perugino
Citta della Pieve ca 1448 -Fontignano 1523
Henri van Assche
born at Brussels in 1774, showed from his earliest years a predilection for painting, and received from his father, who was a distinguished amateur artist, the first principles of design and perspective. He was afterwards placed with Deroy of Brussels, from whom he received further instructions in painting. Journeys in Switzerland and Italy contributed to develop his talent as a landscape painter. His great partiality for representing waterfalls, mountain streams, and mills gained for him the name of 'The Painter of Waterfalls.' Several pictures by him may be seen in public and private collections of Brussels, Ghent, Lille, and Haarlem, some of which are enriched with figures and animals by Ommeganck. He died at Brussels in 1841.